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Rubber Road
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Watercolor Painting
By
April Staker Supplies •
Light the Path (TAC) Instructions 1. Cut your cardstock, photos and paper to the following dimensions
Light Blue Cardstock:
Mint Cardstock Cardstock:
Speckled Gray Cardstock:
Textured Brown Cardstock:
Small Sitting Plaid Paper:
Photos: 2. Using the Noir ink, stamp the lighthouse onto the Cold Press paper. Be sure to apply good pressure since the Cold Press paper has some texture to it. Allow the ink to dry completely. 3. Dip the #2 Flat brush into clean water and apply water to the sky areas around the lighthouse.
4. Dip the paint brush back into clean water
and then put it into the light blue paint. After picking up some of the paint
onto your brush, put the paint onto a paint tray or Styrofoam plate so that it
can be mixed. Dip the brush back into the water and then into the gray paint.
Mix the gray and light blue paint together to form a cloudy sky gray. Apply
this mixture onto the wet areas of the picture. Start in the areas along the
shoreline and along the lighthouse. 5. Repeat step 3 applying water to the lower portion of the sky. 6. Dip the paint brush back into clean water and put it into the cobalt blue paint. After picking up some of the paint onto your brush, apply this sparingly onto the wet areas of the picture. Start in the areas along the shoreline and along the lighthouse. Spread the paint outward into the sky. Use random curvy strokes to achieve a more cloud-like appearance. Allow this to dry somewhat, but not all of the way. Using a facial tissue blot the paint. This will lift some of the paint off and create a more cloud-like appearance. Allow the paint to dry completely.
7. Repeat step 3 keeping the water along the
shoreline and just a little ways up the 8. Dip the paint brush back into clean water and then put it into the marine blue paint. After picking up some of the paint onto your brush put the paint onto the paint tray. Dip the brush back into the water and then into the gray paint. Mix the gray and marine blue paint together as the gray will tone the marine blue down just slightly. Dip the brush into clean water and then into the burnt umber. Mix a small amount of the burnt umber into the blue/gray mix. This will darken it somewhat. Apply this mixture onto the wet areas of the picture. Use the brush to run along those shoreline edges and the lower portions of the lighthouse. Allow the paint to merge into the cobalt blue to blend. Use a little more water if necessary to create the blended effect. If the color is too dark, use a tissue to lightly blot until you like the color. Allow the paint to dry completely.
9. Apply clean water to the grassy areas and
the shaded areas on the lighthouse. 10. Dip the paint brush back into clean water and then put it into the raw umber paint. After picking up some of the paint onto your brush, apply this to the wet areas of the picture. Follow the curves of the hills on the grass. On the lighthouse, begin with the paint in the shadows and blend downward. Apply just a bit to the bottom steps of the lighthouse. Allow the paint to dry completely. 11. Apply clean water to the grassy areas. Pick up some lime green paint onto your brush. Apply this paint to the grass going right over the raw umber. Blot with a tissue randomly and very lightly. 12. Using a #00 Round Brush, apply clean water to the birds in the shaded areas. Pick up a small amount of gray paint and apply to those areas. Repeat this with a touch of yellow ochre to add highlighted areas around the gray.
13. Using the round brush, re-wet the marine
blue mixture if you have some left (if not 14. Apply water to the shaded sides of the lighthouse using the flat brush. Apply yellow ochre paint to those areas. 15. Apply a touch of navy paint to the rooftop, left side of the lighthouse and under the railing in the shadows. 16. Rewet the upper sky. Mix gray, white and light blue together and apply the mixture to the wet areas of the sky. Blot with a tissue randomly to create cloud shapes if desired.
17. Using the round brush and a touch of
black paint (very diluted with water), apply black 18. Tear around the image. 19. Ink the letter stamps with the Fabrico Gray ink and stamp onto the Journal Block. 20. Use the Silent Setter to punch holes into the Tile Blocks for the rivets. Set the rivets. 21. Print your journaling.
22. Assemble your page. I used 3-D dots
behind the tiles and one at the top of the lighthouse image. That allowed me to
poke the pin through without any trouble. If you would like to print this technique including a near-full size image of the layout, click here. Once you've saved or printed the technique sheet, use your browser's back button to return.
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